Double-click the Vectorscope to zoom in for more detail. Use the new Colorized Vectorscope to guide your grading. New color management for Sony XAVC-L-HDR footage gives broadcasters and production teams another option for working with HDR content.
New hardware-accelerated decoding for 10-bit H.264 422 provides a smoother editing experience with this format on Apple M1 computers. Improved playback for 10-bit H.264 on Apple M1
#ADOBE PREMIERE CC UPDATE 2015 WINDOWS#
New hardware-accelerated decoding for 10-bit HEVC 422 provides improved playback and editing on Apple M1 and Intel Windows systems.
#ADOBE PREMIERE CC UPDATE 2015 PRO#
New color management for H.264 and HEVC formats, including 10-bit and HDR media, means that the correct color space is used in Premiere Pro when importing or exporting these formats. Improved transcription accuracy for pop culture terminology and better formatting of dates and numbers.Ĭreate a clean copy of the current sequence for sharing with other editors, archiving, or exporting as EDL, XML, or AAF. With this release, Adobe video and audio applications are aligned on version 22.0, making it easier for you to keep track of updates and ensure compatibility across the applications. Again, check out all of the updates here.Premiere Pro 22.0 introduces Simplify Sequences, transcription improvements for Speech to Text, new color management, Lumetri refinements, hardware acceleration for 10-bit 422 HEVC, and more. Other enhancements include a new proxy workflow, lumetri color panel improvements, creation of peak files, new and improved format support, and more. With the new Open Captions you can import, edit, and create subtitles, including options for font, size, position, color, weight, background color, and background opacity.Īs I said before, I’m only scratching the surface of the new features included in Adobe’s 2015.3 Premiere Pro release. Prior to Open Captions, I would painstakingly create subtitles with the Title Designer, usually at a snail’s pace. This is especially important when you’re editing on a small laptop. Having the ability to minimize the tracks on the timeline adds extra space and seriously streamlines the interface, allowing much more viewing area within your workspace. This seems like a minor upgrade, but I think it’s my favorite. With Premiere 2015.3, you can now filter markers in the marker panel by color, and you can view clip markers as well. I’ve always felt that the use of markers was a bit clunky, like something was missing. I use color-coded comment markers throughout my timeline and on individual clips to stay organized. You just have to figure out which keys to assign them to.
Premiere Pro 2015.3 is packed with a long list of great new updates.